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The work on this picture continues.  You can see that I did go freehand now on the windows, but boy it stresses me out and makes me nervous.  Just not my thing I guess. Anyway I have a lot more of the foreground in now and will pretty much for the main portions have just the horse and the carriage to go - but oh, let's don't be forgetting the next challenge is the wheels and those eclipse shapes.  Oh, can't forget there is going to be a lightly leafed tree in there as well and good for me, it should cover some of my windows.  Of course too I will have to put the name on the sign in gold leaf - it is only what should be expected. This is giving me enough confidence that I probably will try some more landscape/cityscape type of pictures.  I have another down in the Lower town of Quebec, a street scene that I always wanted to do.  Maybe I will have a Quebec series heh?  I don't know, I have always shied away from landscapes thinking they just didn't...

Ok so I am deviating from the mugshots for a few days, but got to keep me sane and keep it interesting.  Interesting it is and I am excited about this picture for several reasons. 1)  First I have painted mostly on paper,  not canvas, and felt it was time to make the change as it simplifies framing issues and you can work larger.  Well, I got some deals when I went to the Goodwill store.  I always check for frames with mats or large size frames, but this time I got a bunch of decent sized canvases, 12x15" or larger for $1.91 apiece.  Yes, as you might recall I am cheap, cheap, cheap.  But I am just learning so recycled canvases seem ok to me.  What I did was sand this one down and then recoated with several coats of gesso with the last one being tinted with burnt sienna.  Yellow ochre, burnt umber and white and raw sienna and white are normally used depending on what is going on top.  I have also heard of people using red beneath as ...