Girl With A Red Hat after Vermeer
Girl with a Pearl Earring
Girl with a Red Hat
8"x10"
Acrylic
Well, I am thinking that she is done, she will sit on the easel here for a bit. I also am thinking of getting a really wide frame for this one to give it more substance. I can't wait until she is dry so I can varnish - varnish will really make that red pop. I absolutely love this picture and as I said before it is my favorite at the National Gallery - will get to see her in real life again soon. I always have to spend some quality time in the Dutch/Flemish gallery with the Old Masters. Vermeer has been my favorite and after doing the Girl with a Pearl Earring I wanted to do another. It just has taken a bit to build up my courage. Of course the absolutely lush reds in this didn't sway me much!! Adding the red to the hat was the very last thing I did and boy was it ever the icing on the cake - all that color and so vibrant. Actually the photo really doesn't do the actual piece justice.
When I started this picture I wanted to do the chiaroscuro or verdicchio techniques, but I messed up at the beginning when doing the initial layers of gesso, to smooth the canvas, by using black gesso as a final layer and now I had to resort to picking out the lights from the black. Sort of a reverse order. But still using the dead layers and then the glazing worked also with this method. It was pretty scary though to put the light against all that black. I boldly went to the whitest whites of her collar and then when I put more background in, covering all that black, it seemed to even things out. Even her robe which looks black has a lot of ultramarine blue and purple in it to keep it from looking dead.
I always learn so much from this copying the masters. I really spend a lot of time color mixing and trying to get effects I normally wouldn't encounter in today's photos. But I think doing that helps me add into my reference pieces taking them from copying to interpreting and being different than a camera. For the next challenge I might try to find someone who does excellent brush strokes. I am thinking that I am going to have to try a Singer Sargent - I have copied from his drawings, but never tried a painting. I just can't get what he does out of one stroke. So that would be a good challenge.
Thanks much for stopping by and taking a look and hope you have having a super day.
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