Hunter's Moon pastel portrait of wolf
Hunter's Moon
14"x11"
Pastel
This week's project is a combination of photos from PMP, so thank you to Rvanunen and Freda Austin Nichols. I think I am going to try to do a series with the big moon as I have a couple more ideas of what might work. This piece is on Ingres sand color paper, it is not sanded paper, but the paper that Colin Bradley uses, more along the lines of MiTeintes. I guess having done pastels so long on this type of surface I will continue to do so as it does feel nature, in some ways more so than in pastel mat or sanded paper.
I have another month with access to Colin Bradley videos, so I am continuing to watch videos on fur but tried a few of my own tweaks in this one. Since I have to use blades to get my pastels as sharp as I want them to be, I tried, even though I am working on paper, to scratch out the fur (think I will actually try my scratch tool from scratchboard next time) and also used a very sharp fine graphite pencil to separate the fur texture. Graphite also has the benefit of adding in some gray tones which this fur was full of - it helped to give that salt-and-pepper effect. The background/moon is pan pastels and the wolf pastel pencils.
I have to admit I haven't done any celestial skies but it is kind of fun to try to get the stars and galaxies in. Think the hardest part was to get the moon round - better, but not yet perfect. I had to go through the pots and pans to find a lid that would be the size I had already drawn. Ah, yes, took me back to toddler days when we used to play with pots and pans as toys - no electronics toys then.
Thanks much for stopping by to take a look.
14"x11"
Pastel
This week's project is a combination of photos from PMP, so thank you to Rvanunen and Freda Austin Nichols. I think I am going to try to do a series with the big moon as I have a couple more ideas of what might work. This piece is on Ingres sand color paper, it is not sanded paper, but the paper that Colin Bradley uses, more along the lines of MiTeintes. I guess having done pastels so long on this type of surface I will continue to do so as it does feel nature, in some ways more so than in pastel mat or sanded paper.
I have another month with access to Colin Bradley videos, so I am continuing to watch videos on fur but tried a few of my own tweaks in this one. Since I have to use blades to get my pastels as sharp as I want them to be, I tried, even though I am working on paper, to scratch out the fur (think I will actually try my scratch tool from scratchboard next time) and also used a very sharp fine graphite pencil to separate the fur texture. Graphite also has the benefit of adding in some gray tones which this fur was full of - it helped to give that salt-and-pepper effect. The background/moon is pan pastels and the wolf pastel pencils.
I have to admit I haven't done any celestial skies but it is kind of fun to try to get the stars and galaxies in. Think the hardest part was to get the moon round - better, but not yet perfect. I had to go through the pots and pans to find a lid that would be the size I had already drawn. Ah, yes, took me back to toddler days when we used to play with pots and pans as toys - no electronics toys then.
Thanks much for stopping by to take a look.
Comments
Helen