Portrait Lesson 6 Experiment
Well the best laid plans, etc, etc, etc. This is lesson 6 and isn't anything at all like lesson 6. It was supposed to be watercolor and color pencil - what it ended up being was acrylic, pastel and colored pencil. But that's ok.
One of the under riding thoughts teachers have had in this course is that it is ok to just let go, be free, change to go with the flow and be outside the lines. That is what I accomplished with this piece as I was salvaging it. I know it sounds pretty funny, but I have had a big break through, it is like I have given myself permission to just try new things and find the way .. make it work.
Trying to be smart, I put gesso over the sketchbook page because I knew I was going to use liquids and that the paper would really buckle. However, when I tried using the acrylics, watercolor style, because I didn't want to be able to lift color layers, with the gesso coating, it lifted anyway. So I ended up with very splotchy skin tones, I couldn't really cover the gesso evenly. Guess I needed to see Sheila's post of today, where she talks about gesso puddling!!
Well, what do you do, I quit working on it yesterday, redrew it on watercolor paper to try it the correct way (the lesson way) today. But in the night I noodled it around and decided I was going to try to salvage this someway. I already had a start on interesting skin tones so decided to throw some pastel into the equation. The variety of skin tones is just part of what makes portraits so fascinating. We are all colored so differently. I also wanted to try to gain some looseness.
Off to try to do the lesson as shown - still experimenting, but less so, I hope!!
Thanks for stopping by and taking a look.
One of the under riding thoughts teachers have had in this course is that it is ok to just let go, be free, change to go with the flow and be outside the lines. That is what I accomplished with this piece as I was salvaging it. I know it sounds pretty funny, but I have had a big break through, it is like I have given myself permission to just try new things and find the way .. make it work.
Trying to be smart, I put gesso over the sketchbook page because I knew I was going to use liquids and that the paper would really buckle. However, when I tried using the acrylics, watercolor style, because I didn't want to be able to lift color layers, with the gesso coating, it lifted anyway. So I ended up with very splotchy skin tones, I couldn't really cover the gesso evenly. Guess I needed to see Sheila's post of today, where she talks about gesso puddling!!
Well, what do you do, I quit working on it yesterday, redrew it on watercolor paper to try it the correct way (the lesson way) today. But in the night I noodled it around and decided I was going to try to salvage this someway. I already had a start on interesting skin tones so decided to throw some pastel into the equation. The variety of skin tones is just part of what makes portraits so fascinating. We are all colored so differently. I also wanted to try to gain some looseness.
Off to try to do the lesson as shown - still experimenting, but less so, I hope!!
Thanks for stopping by and taking a look.
Comments