Swan Lake - Tonal Pastel Study
Well got pictures turned in yesterday, nothing to do now but wait, should know something by Sunday or Monday if I got anything juried into a show.
Got my carpets all cleaned and done now for another 6 months (comes around real fast) and confirmed yet again we must be little pigs as it amazes me how dirty it always is. We don't wear shoes in the house either - so, go figure.
Was going a little stir crazy as I haven't really been very productive this week. But did take a few minutes to do this study of a photo that Steve Lyddon posted at PMP. I am still working on tonal studies and did this pastel piece again in several hours, it is 6"x9" on black Artagain paper. The black of the paper certainly speeds up the process but I still find it difficult to get whites as bright as I would like them to be but did like the way it sped up the water process. Steve takes excellent photos, and many have a story, and he freely and generously puts them into the photo library at PMP. Saw this and knew I had to give it a try. Also, I've been kind of hedging around drawing several reference cartoons for my next scratch piece, but just couldn't get into any of them for one reason or another. Well Steve took care of that for me too when he posted a beautiful huge, and I mean huge, draft horse I think they are called. Haven't ever done a horse, so well that spoke to me and am working on that scratch piece now - will post when I get a bit farther into it.
COMPOSITION CHECKLIST
BALANCE - be sure the size and weight of shapes and elements are evenly distributed, not all on one side. Be sure the horizon line doesn't appear to be too top or bottom heavy.
COLOR AND VALUE - Be sure the colors and tones are evenly distributed. Too much light or dark in an area can throw of the composition. Colors too should be repeated around the picture
PATHWAY - The elements should come together to lead the eye around the painting and then back to the center.
COMPOSITION EXAMPLES:
Converging Lines
Off-Center Converging composition
S-Curve
Heavily interrupted S-Curve
Mirror Image
Z Shape
Got my carpets all cleaned and done now for another 6 months (comes around real fast) and confirmed yet again we must be little pigs as it amazes me how dirty it always is. We don't wear shoes in the house either - so, go figure.
Was going a little stir crazy as I haven't really been very productive this week. But did take a few minutes to do this study of a photo that Steve Lyddon posted at PMP. I am still working on tonal studies and did this pastel piece again in several hours, it is 6"x9" on black Artagain paper. The black of the paper certainly speeds up the process but I still find it difficult to get whites as bright as I would like them to be but did like the way it sped up the water process. Steve takes excellent photos, and many have a story, and he freely and generously puts them into the photo library at PMP. Saw this and knew I had to give it a try. Also, I've been kind of hedging around drawing several reference cartoons for my next scratch piece, but just couldn't get into any of them for one reason or another. Well Steve took care of that for me too when he posted a beautiful huge, and I mean huge, draft horse I think they are called. Haven't ever done a horse, so well that spoke to me and am working on that scratch piece now - will post when I get a bit farther into it.
COMPOSITION CHECKLIST
BALANCE - be sure the size and weight of shapes and elements are evenly distributed, not all on one side. Be sure the horizon line doesn't appear to be too top or bottom heavy.
COLOR AND VALUE - Be sure the colors and tones are evenly distributed. Too much light or dark in an area can throw of the composition. Colors too should be repeated around the picture
PATHWAY - The elements should come together to lead the eye around the painting and then back to the center.
COMPOSITION EXAMPLES:
Converging Lines
Off-Center Converging composition
S-Curve
Heavily interrupted S-Curve
Mirror Image
Z Shape
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