Golden Eagle - Paint with Depth
Well this is the beginning of my scratchboard experiment. And wow, do I see that the board ever picks up plenty of marks, am going to have to figure out that part of things as it needs to be black for this picture. I am using the acetate cover sheet to keep my hand off of it, but when I wipe with the sock I get streaks.
I finally got the eagle's proportions right, drew two pictures on Sunday,and boy even though I wanted to draw large, but it was way toooooo large - no, don't need a 2" eye staring right at you. Next step was to watch 13 ten-minute videos, from WetCanvas library, they also have a group dedicated to scratchboard art, on how various artists approached scratchboard. Then, no more excuses, even though I don't have a clue I am doing I am on to the scratching. Then because I am impatient I am coloring in as well. I am using Prismacolor marker ink instead of mixing the Ampersand inks, they say you can also use color pencil to knock back the white of the clay, so might give that a try as well. But just figuring out the scratching is enough of a challenge let alone doing color mixing. For whatever reason they say, and I am finding it true, that this is very relaxing. Go figure.
Overlap objects to step into the distance
Use linear perspective (converging lines) to imply depth
Use division of planes (foreground, middle ground and background)
Use thick paint in the foreground
Thanks for stopping by and hope you are having a great week - hang on, almost TGIF
I finally got the eagle's proportions right, drew two pictures on Sunday,and boy even though I wanted to draw large, but it was way toooooo large - no, don't need a 2" eye staring right at you. Next step was to watch 13 ten-minute videos, from WetCanvas library, they also have a group dedicated to scratchboard art, on how various artists approached scratchboard. Then, no more excuses, even though I don't have a clue I am doing I am on to the scratching. Then because I am impatient I am coloring in as well. I am using Prismacolor marker ink instead of mixing the Ampersand inks, they say you can also use color pencil to knock back the white of the clay, so might give that a try as well. But just figuring out the scratching is enough of a challenge let alone doing color mixing. For whatever reason they say, and I am finding it true, that this is very relaxing. Go figure.
QUICK GUIDE TO PAINTING DEPTH
Make colors more intense in the foreground and less
intense in the background
Cool your colors as they recede into the distance
In the distance, make your value change less
distinct (light colors become darker and dark colors become lighter)
Avoid similar values that create flatness. Diverse
values create space.
Make objects progressively smaller as they recede
into the distance
Make objects less distinctive in the background by
simplifying the details and softening edgesOverlap objects to step into the distance
Use linear perspective (converging lines) to imply depth
Use division of planes (foreground, middle ground and background)
Use thick paint in the foreground
Thanks for stopping by and hope you are having a great week - hang on, almost TGIF
Comments
I see it all the time in Blick's and always wondered how you work with it....I love the eye of the Eagle...Wonderful work, Nelvia!!!