Zebra Scratch Update WIP
In life there are times when you are very thankful for things you usually take for granted. That just happened to me, I am thankful for being able to read and being persistent on the internet. You all know there is so much on the internet these days that you can either watch YouTube or read something to learn just about anything. I am a pretty voracious reader and for folks who I really follow and do blogs I read all the historical info, catching names of people they know and techniques that don't come up in queries - another kind of networking I guess. Drives my hubby nuts ........ (is that a bad thing?)
In working on this piece I came across a scratchboard artist who works with adding pastel dust on his scratchboard - John Hopman of Tuscan AZ. Well eureka, the lightbulb went off - A BREAK THRU - I was off and running, excited because I love pastel and have a boatload of colors. I thought I wanted a softer color transition than I could get with what I have seen with inks. Well here is the result of adding soft pastel dust to this piece for coloration and I am still way excited about the potential.
I was lucky enough to go to Birmingham AL zoo (what a little secret gem that zoo is) this weekend and saw Grant Zebras close up and they do really have a lot of brown in their coats - who knew, all these years I thought they were simply black and white (before I saw with artist eyes). So now I am working on getting dry pastel dust to go into and stay in the grooves of the clayboard left by scratching, thus adding coloration. Inks just seemed to be too stark a contrast for me, even trying to do them diluted in layers. Guess I am too impatient and want full color fast - so am going to continue to try to see if I can develop the technique to do this. Next problem with this is trying to figure out how to seal the piece when done as Scratchboard is sealed at the end of the process and sealing tends to darken pastel colors. Hmmmmm.
I know I have to get studied up, probably on the hugin program, read about it just haven't tried it yet, and that is the reason you have two pics above, even then, not a full image scan of the entire piece. Sorry.
I have another problem that I need to research, as I rotated the initial reference piece, and that would have changed the light source, so just need to figure that out now and be sure I have my highlights on the correct side to where I think my light source is coming from. Will have brights and shadows in different places as rotating doesn't change the light source, just flips the original pic. Now I am sure if I was savvy enough to do GIMP I could figure that out and correct it before I finalized the reference pic that I am referring to.
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Thanks for stopping by and have a great week.
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