Day 11 30 Day Challenge Cat Monoprint
Well I have clicked off a few days wasting time, where I was ahead, while I was fooling around trying to make some mono prints. Also I think I got a little too complex so I am going to have a few days here where I do smaller projects. I have to take exception with myself and give this definition of studies - Studies are footprints in the sand of the journey of an artist. What a superb thought.
Ellen at PMP posted a mono print and a YouTube video of the process and it sure looked intriguing so I just had to try it.
This is painted all in one layer on glass with watercolors. I then misted over the top of the watercolors to get them wet again and then pressed the damp paper on top to see what image you got. I didn't have all the equipment so it was a pretty elementary process. Hate to tell you this, but this is the best I got and it is still pretty ghostly. Ellen tells me that I should work over it, and maybe I will. I am sure there are a lot of factors and probably one is to put more paint onto the glass, and maybe if I would have used bristol board or a softer paper it might have printed better instead of all the valleys you see here. I am going to try the interactive acrylics again but put the slow dry directly on the glass under the paint and see if that helps it release. It is a process that I am certainly going to explore more of.
I tried this with interactive acrylics and the paper was too wet and peeled away, then I got a more smudged image, still looks like a cat, but ... per Ellen, maybe I can work over it too.
Anyway it was a nice interlude and as I say I'll try again.
Ellen at PMP posted a mono print and a YouTube video of the process and it sure looked intriguing so I just had to try it.
This is painted all in one layer on glass with watercolors. I then misted over the top of the watercolors to get them wet again and then pressed the damp paper on top to see what image you got. I didn't have all the equipment so it was a pretty elementary process. Hate to tell you this, but this is the best I got and it is still pretty ghostly. Ellen tells me that I should work over it, and maybe I will. I am sure there are a lot of factors and probably one is to put more paint onto the glass, and maybe if I would have used bristol board or a softer paper it might have printed better instead of all the valleys you see here. I am going to try the interactive acrylics again but put the slow dry directly on the glass under the paint and see if that helps it release. It is a process that I am certainly going to explore more of.
I tried this with interactive acrylics and the paper was too wet and peeled away, then I got a more smudged image, still looks like a cat, but ... per Ellen, maybe I can work over it too.
Anyway it was a nice interlude and as I say I'll try again.
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